Credit Photograph by Zane Zhou for The New Yorker
The Public Theatre takes its art-for-all mission seriously, and, since 2005, its “Under the Radar” festival has been an essential showcase of the avant-garde. Programmed by Mark Russell and Meiyin Wang, it has welcomed artists from places as far-flung (and free-expression-averse) as Belarus; this year’s festival, Jan. 6-17, features companies from Chile, Japan, and Rwanda. But you don’t always…
This Week
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